TAPE CULTURE
How to read a mixtape someone made for you
Track one was never their favorite song. How to read the running order of a mixtape someone made for you, starting with the handshake opener.
TAPE CULTURE
Track one was never their favorite song. How to read the running order of a mixtape someone made for you, starting with the handshake opener.
SOUND
Murmur never asks you to understand it, only to sit inside it. The production choice that makes it R.E.M.'s desert island record.
COLLECTABLES
Why a torn 1983 Aragon stub beats a mint one: the tear, stamp, and fold are proof you were actually there.
SOUND
The gated reverb on that famous drum fill wasn't designed, it was a talkback mic mistake at Townhouse a year before Collins showed up.
TAPE CULTURE
You did track-time addition on the album sleeve so side one wouldn't chop your favorite song's chorus off at the ninety-minute mark.
VINYL
The Replacements' Let It Be, 1984: the one record from the era that never makes you choose between the joke and the wound. A desert island pick.
SCREEN
Byrne walks out alone with a boombox and Psycho Killer, then the band assembles onstage song by song, Demme's camera watching it happen.
GEAR
The TPS-L2 had two headphone jacks for sharing tapes, nobody used the second one, and Sony quietly killed it by 1981.
TAPE CULTURE
The Brother P-Touch PT-65 turned mixtape labels into a social code, and your handwriting or your printer said which kind of effort you meant.
TAPE CULTURE
Some early Appetite for Destruction cassettes still hid the banned Robert Williams cover before Geffen swapped in the cross and skulls.
SOUND
Jarre built Oxygene alone on scavenged gear, no lyrics, no band photo, and it outsold French rock in 1976 while US radio just shrugged.
TAPE CULTURE
The high speed dubbing button on your boombox saved lunch periods and wrecked cymbals. Here is why every fast copy sounded like a sock.